Opera Selection
San Francisco | Zauberflöte | Sarastro |
Scottish Opera | Parsifal | Gurnemanz |
München, Bayr. Staatsoper | Anna Bolena | Enrico VIII |
Pittsburgh | Anna Bolena | Enrico VIII |
Glyndebourne, Festival | Prodana Nevesta | Kecal |
Zürich, Opernhaus | Don Giovanni | Leporello |
München, Bayr. Staatsoper | Figaro | Figaro |
New York, MET | Don Giovanni | Masetto |
Helsinki | Anna Bolena | Enrico VIII |
München, Bayr. Staatsoper | Don Giovanni | Leporello |
Monte Carlo | Maria Stuarda | Talbot |
Milano, Teatro alla Scala | Freischütz | Kuno |
Concerts Selection
Sao Paolo | Verdi | Requiem |
Salzburg, Festspiele | Mozart | c-moll Messe |
New York, Carnegie Hall | Concert for La Fenice | Verdi |
Leipzig, Gewandhaus | Mahler | 8. Symphonie |
Salzburg, Mozarteum | Entführung | Osmin |
Paris, Radio France | Freischütz | Kuno |
Sevilla | Mozart | Requiem |
Madrid | St. Francois d'Assise | St. Francois |
London, Royal Opera | Freischütz | Kuno |
Buenos Aires, Teatro Colon | Beethoven | 9. Symphonie |
Dresden, Philharmonie | Des Esels Schatten | Struthion |

Reviews
Sarastro, San Francisco
"�Manfred Hemm was a dignified Sarastro. His bass voice descended to the lowest register with ease and naturalness�"
San Francisco Classical Voice, 2000
Enrico VIII, Munich
"�sehr erfolgreich auch das Debut von Manfred Hemm als Enrico, der mit seinem beweglichen und kraftvollen Bass stimmlich den Belcanto-Anforderungen voll gerecht wurde und einen eleganten, �rauenleichen gehenden k�lichen B�icht darstellte�eine bemerkenswerte Leistung�"
Der neue Merker, 1997
"�sang die undankbare Partie mit angenehmer und tragender Stimme sehr gut�"
Der neue Merker, 1998
"�sch� samtene T� mit Geschmack und feinem Legato gesungen�"
tz, 1998
Enrico VIII, Pittsburgh
"�Manfred Hemm as Henry exhibited a gorgeous, grainy basso voice and was an imposing figure on stage�"
Post-Gazette, 2000
Gurnemanz, Scotland
"�The Gurnemanz of Manfred Hemm was magnificent: here, paradoxically, was the man �wise through compassion�, his generous bass rising from resonant depths to a lyric gleam in the narration of the spear, combining regret with mature acceptance in his announcement of the death of Titurel�"
Opera, 2000
"�the vocal performances are no less impressive, with Manfred Hemm�s magnificent Gurnemanz heading an exceptionally strong cast�"
Scotland on Sunday, 2000
"�I was unprepeared for the majesty and authority of the Austrian Bass Manfred Hemm�s Gurnemanz�his long monologues never palling nor losing vocal focus�"
The Sunday Telegraph, 2000